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Hell Bent for Leather album cover

ISRC

USMBR0906997

Hell Bent for Leather

Song: HELL BENT FOR LEATHER

Austrian Death Machine
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Last verified:

USMBR0906997 is the International Standard Recording Code (ISRC) for the recording "Hell Bent for Leather" by Austrian Death Machine. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by G. TIPTON.

Format

USCountry
MBRRegistrant
09Year (2009)
06997Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

G. TIPTONComposer
CREWGLEN-LTD OriginalPublisher0.00%IPI: 00133052518
REACH MUSIC PUBLISHING OriginalPublisher100.00%IPI: 00631558646

Who publishes this song?

CREWGLEN-LTDOriginalPublisher
IPI: 00133052518
REACH MUSIC PUBLISHINGOriginalPublisher
IPI: 00631558646
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hell Bent for Leather" by Austrian Death Machine?
The ISRC for "Hell Bent for Leather" by Austrian Death Machine is USMBR0906997.
Who wrote "Hell Bent for Leather"?
"Hell Bent for Leather" was written by G. TIPTON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR0906997?

USMBR0906997 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Hell Bent for Leather" by Austrian Death Machine. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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