REGURGITATED DISINFORMATION (LIVE) album cover

ISRC

USMBR1007894

REGURGITATED DISINFORMATION (LIVE)

Song: REGURGITATED DISINFORMATION

JOB FOR A COWBOY
matched
Released 2010-08-23

Last verified:

USMBR1007894 is the International Standard Recording Code (ISRC) for the recording "REGURGITATED DISINFORMATION (LIVE)" by JOB FOR A COWBOY, released 2010-08-23. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRENT RIGGS, ALAN GLASSMAN, JON RICE, and others.

Format

USCountry
MBRRegistrant
10Year (2010)
07894Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCREGURGITATED DISINFORMATION (LIVE)

People also ask

What is the ISRC for "REGURGITATED DISINFORMATION (LIVE)" by JOB FOR A COWBOY?
The ISRC for "REGURGITATED DISINFORMATION (LIVE)" by JOB FOR A COWBOY is USMBR1007894.
Who wrote "REGURGITATED DISINFORMATION (LIVE)"?
"REGURGITATED DISINFORMATION (LIVE)" was written by BRENT RIGGS, ALAN GLASSMAN, JON RICE, JONATHAN DAVY, STEPHEN ROBERT THOMPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR1007894?

USMBR1007894 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "REGURGITATED DISINFORMATION (LIVE)" by JOB FOR A COWBOY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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