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God Is Dead (alternative version) album cover

ISRC

USMBR1712557

God Is Dead (alternative version)

Song: GOD IS DEAD

Ensiferum
matched

Last verified:

USMBR1712557 is the International Standard Recording Code (ISRC) for the recording "God Is Dead (alternative version)" by Ensiferum. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAMI TAPIO HINKKA, JANNE OLAVI PARVIAINEN, MARKUS ALEKSI TOIVONEN, and others.

Format

USCountry
MBRRegistrant
17Year (2017)
12557Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGod Is Dead (alternative version)
IPISAMI TAPIO HINKKA

People also ask

What is the ISRC for "God Is Dead (alternative version)" by Ensiferum?
The ISRC for "God Is Dead (alternative version)" by Ensiferum is USMBR1712557.
Who wrote "God Is Dead (alternative version)"?
"God Is Dead (alternative version)" was written by SAMI TAPIO HINKKA, JANNE OLAVI PARVIAINEN, MARKUS ALEKSI TOIVONEN, PETRI OLAVI LINDROOS, NETTA SKOG, ANSSI MIKAEL JOHANNES KIPPO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR1712557?

USMBR1712557 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "God Is Dead (alternative version)" by Ensiferum. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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