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Awakening the Gods Within album cover

ISRC

USMBR2115020

Awakening the Gods Within

Song: AWAKENING THE GODS WITHIN

Hate
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Last verified:

USMBR2115020 is the International Standard Recording Code (ISRC) for the recording "Awakening the Gods Within" by Hate. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM DOMINIK BUSZKO.

Format

USCountry
MBRRegistrant
21Year (2021)
15020Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ADAM DOMINIK BUSZKOComposerLyricist
EDITION SONO.FM OriginalPublisher0.00%IPI: 00131108135
PAINTED DESERT MUSIC CORP SubPublisher50.00%IPI: 00023276307

Who publishes this song?

EDITION SONO.FMOriginalPublisher
IPI: 00131108135
PAINTED DESERT MUSIC CORPSubPublisher
IPI: 00023276307
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Awakening the Gods Within" by Hate?
The ISRC for "Awakening the Gods Within" by Hate is USMBR2115020.
Who wrote "Awakening the Gods Within"?
"Awakening the Gods Within" was written by ADAM DOMINIK BUSZKO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMBR2115020?

USMBR2115020 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Awakening the Gods Within" by Hate. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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