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Prayer Bells in Heaven album cover

ISRC

USMC10400851

Prayer Bells in Heaven

Song: PRAYER BELLS OF HEAVEN

Jimmy Martin and the Sunny Mountain Boys
matched
Released 1963-01-01

Last verified:

USMC10400851 is the International Standard Recording Code (ISRC) for the recording “Prayer Bells in Heaven” by Jimmy Martin and the Sunny Mountain Boys, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PAUL WILLIAMS, JIMMY MARTIN.

Format

USCountry
MC1Registrant
04Year (2004)
00851Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

PAUL WILLIAMSComposer
JIMMY MARTINComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Prayer Bells in Heaven" by Jimmy Martin and the Sunny Mountain Boys?
The ISRC for "Prayer Bells in Heaven" by Jimmy Martin and the Sunny Mountain Boys is USMC10400851.
Who wrote "Prayer Bells in Heaven"?
"Prayer Bells in Heaven" was written by PAUL WILLIAMS, JIMMY MARTIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC10400851?

USMC10400851 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Prayer Bells in Heaven” by Jimmy Martin and the Sunny Mountain Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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