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I’m a ’Gettin’ Ready to Go album cover

ISRC

USMC16719183

I’m a ’Gettin’ Ready to Go2

Song: I'M A GETTIN' READY TO GO

Loretta Lynn
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Last verified:

USMC16719183 is the International Standard Recording Code (ISRC) for the recording “I’m a ’Gettin’ Ready to Go” by Loretta Lynn. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LORETTA LYNN.

Format

USCountry
MC1Registrant
67Year (1967)
19183Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LORETTA LYNNComposer
SURE - FIRE MUSIC COMPANY OriginalPublisher100.00%IPI: 00029920277

Who publishes this song?

SURE - FIRE MUSIC COMPANYOriginalPublisher
IPI: 00029920277

MLC Song Code

I05286
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I’m a ’Gettin’ Ready to Go" by Loretta Lynn?
The ISRC for "I’m a ’Gettin’ Ready to Go" by Loretta Lynn is USMC16719183.
Who wrote "I’m a ’Gettin’ Ready to Go"?
"I’m a ’Gettin’ Ready to Go" was written by LORETTA LYNN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC16719183?

USMC16719183 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I’m a ’Gettin’ Ready to Go” by Loretta Lynn. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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