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Los Matodoros (live at the Jazz Workshop, Boston/1967) album cover

ISRC

USMC16752153

Los Matodoros (live at the Jazz Workshop, Boston/1967)

Song: LOS MATADOROS

Gábor Szabó
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Last verified:

USMC16752153 is the International Standard Recording Code (ISRC) for the recording "Los Matodoros (live at the Jazz Workshop, Boston/1967)" by Gábor Szabó. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GABOR ISTAVAN SZABO.

Format

USCountry
MC1Registrant
67Year (1967)
52153Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLos Matodoros (live at the Jazz Workshop, Boston/1967)
IPIGABOR ISTAVAN SZABO

People also ask

What is the ISRC for "Los Matodoros (live at the Jazz Workshop, Boston/1967)" by Gábor Szabó?
The ISRC for "Los Matodoros (live at the Jazz Workshop, Boston/1967)" by Gábor Szabó is USMC16752153.
Who wrote "Los Matodoros (live at the Jazz Workshop, Boston/1967)"?
"Los Matodoros (live at the Jazz Workshop, Boston/1967)" was written by GABOR ISTAVAN SZABO.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC16752153?

USMC16752153 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Los Matodoros (live at the Jazz Workshop, Boston/1967)" by Gábor Szabó. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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