ISRC

USMC18250055

Oh Holy Night

Song: OH HOLY NIGHT

The Oak Ridge Boys
matched
Released 1982-01-01

Last verified:

USMC18250055 is the International Standard Recording Code (ISRC) for the recording “Oh Holy Night by The Oak Ridge Boys, released 1982-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
MC1Registrant
82Year (1982)
50055Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1982):
Last two digits of the reference year (1982). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

JOE BONSALLComposer
WC MUSIC CORP. OriginalPublisherIPI: 00392888203

Who publishes this song?

WC MUSIC CORP.OriginalPublisher
IPI: 00392888203

MLC Song Code

SourcesMusicBrainzMLCMLC3 sources

Verified on

People also ask

What is the ISRC for "Oh Holy Night" by The Oak Ridge Boys?
The ISRC for "Oh Holy Night" by The Oak Ridge Boys is USMC18250055.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMC18250055?

USMC18250055 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Oh Holy Night by The Oak Ridge Boys. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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