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IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE) album cover

ISRC

USMO10201016

IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)

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USMO10201016 is the International Standard Recording Code (ISRC) for the recording “IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by VERNON BULLOCK, WILLIAM STEVENSON, SYLVIA ROSE MOY.

Format

USCountry
MO1Registrant
02Year (2002)
01016Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)
IPIVERNON BULLOCK

Related

Songwriter profiles

VERNON BULLOCKIPISYLVIA ROSE MOYIPI

People also ask

What is the ISRC for "IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)"?
The ISRC for "IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)" is USMO10201016.
Who wrote "IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)"?
"IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)" was written by VERNON BULLOCK, WILLIAM STEVENSON, SYLVIA ROSE MOY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10201016?

USMO10201016 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “IT'S GOT TO BE A MIRACLE (THIS THING CALLED LOVE)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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