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CONTRACT ON LOVE - SINGLE VERSION / MONO album cover

ISRC

USMO10500280

CONTRACT ON LOVE - SINGLE VERSION / MONO

Song: CONTRACT ON LOVE

STEVIE WONDER
unmatchedNot yet matched in the MLC database

Last verified:

USMO10500280 is the International Standard Recording Code (ISRC) for the recording "CONTRACT ON LOVE - SINGLE VERSION / MONO" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by L. DOZIER, B. HOLLAND, J. BRADFORD.

Format

USCountry
MO1Registrant
05Year (2005)
00280Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

L. DOZIERComposer
B. HOLLANDComposer
J. BRADFORDComposer
SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "CONTRACT ON LOVE - SINGLE VERSION / MONO" by STEVIE WONDER?
The ISRC for "CONTRACT ON LOVE - SINGLE VERSION / MONO" by STEVIE WONDER is USMO10500280.
Who wrote "CONTRACT ON LOVE - SINGLE VERSION / MONO"?
"CONTRACT ON LOVE - SINGLE VERSION / MONO" was written by L. DOZIER, B. HOLLAND, J. BRADFORD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10500280?

USMO10500280 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CONTRACT ON LOVE - SINGLE VERSION / MONO" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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