HIGH HEEL SNEAKERS [LIVE IN PARIS/1965] album cover

ISRC

USMO10500324

HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]

Song: HI-HEEL SNEAKERS

STEVIE WONDER
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Last verified:

USMO10500324 is the International Standard Recording Code (ISRC) for the recording "HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT HIGGINBOTHAM.

Format

USCountry
MO1Registrant
05Year (2005)
00324Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROBERT HIGGINBOTHAMComposerLyricist
LILY POND MUSIC OriginalPublisher

Who publishes this song?

LILY POND MUSICOriginalPublisher

MLC Song Code

SourcesMusicBrainzMLCNotes3 sources

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People also ask

What is the ISRC for "HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]" by STEVIE WONDER?
The ISRC for "HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]" by STEVIE WONDER is USMO10500324.
Who wrote "HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]"?
"HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]" was written by ROBERT HIGGINBOTHAM.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10500324?

USMO10500324 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "HIGH HEEL SNEAKERS [LIVE IN PARIS/1965]" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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