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MONKEY TALK [SINGLE VERSION / MONO] album cover

ISRC

USMO10500370

MONKEY TALK [SINGLE VERSION / MONO]

Song: MONKEY TALK

STEVIE WONDER
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USMO10500370 is the International Standard Recording Code (ISRC) for the recording "MONKEY TALK [SINGLE VERSION / MONO]" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CLARENCE O. PAUL.

Format

USCountry
MO1Registrant
05Year (2005)
00370Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CLARENCE O. PAULComposer
STONE AGATE MUSIC CORP OriginalPublisherIPI: 00218351583

Who publishes this song?

STONE AGATE MUSIC CORPOriginalPublisher
IPI: 00218351583

MLC Song Code

M1997A
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SourcesMusicBrainzMLCNotesCommunity4 sources

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People also ask

What is the ISRC for "MONKEY TALK [SINGLE VERSION / MONO]" by STEVIE WONDER?
The ISRC for "MONKEY TALK [SINGLE VERSION / MONO]" by STEVIE WONDER is USMO10500370.
Who wrote "MONKEY TALK [SINGLE VERSION / MONO]"?
"MONKEY TALK [SINGLE VERSION / MONO]" was written by CLARENCE O. PAUL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10500370?

USMO10500370 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MONKEY TALK [SINGLE VERSION / MONO]" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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