THE PARTY AT THE BEACH HOUSE album cover

ISRC

USMO10500427

THE PARTY AT THE BEACH HOUSE

STEVIE WONDER
unmatchedNot yet matched in the MLC database

Last verified:

USMO10500427 is the International Standard Recording Code (ISRC) for the recording "THE PARTY AT THE BEACH HOUSE" by STEVIE WONDER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANK EDWARD WILSON.

Format

USCountry
MO1Registrant
05Year (2005)
00427Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANK EDWARD WILSONComposer
STONE AGATE MUSIC CORP OriginalPublisherIPI: 00075601090

Who publishes this song?

STONE AGATE MUSIC CORPOriginalPublisher
IPI: 00075601090

MLC Song Code

SourcesMusicBrainzMLCNotesCommunity4 sources

Verified on

People also ask

What is the ISRC for "THE PARTY AT THE BEACH HOUSE" by STEVIE WONDER?
The ISRC for "THE PARTY AT THE BEACH HOUSE" by STEVIE WONDER is USMO10500427.
Who wrote "THE PARTY AT THE BEACH HOUSE"?
"THE PARTY AT THE BEACH HOUSE" was written by FRANK EDWARD WILSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USMO10500427?

USMO10500427 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE PARTY AT THE BEACH HOUSE" by STEVIE WONDER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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