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SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS album cover

ISRC

USNO11400414

SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS

Song: AMEN...O LORD, OPEN THOU OUR LIPS

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USNO11400414 is the International Standard Recording Code (ISRC) for the recording “SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRAIG LUCAS, NICO MUHLY.

Format

USCountry
NO1Registrant
14Year (2014)
00414Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS
IPICRAIG LUCAS

Related

Songwriter profiles

CRAIG LUCASIPINICO MUHLYIPI

People also ask

What is the ISRC for "SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS"?
The ISRC for "SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS" is USNO11400414.
Who wrote "SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS"?
"SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS" was written by CRAIG LUCAS, NICO MUHLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USNO11400414?

USNO11400414 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SCENE 7 (CHURCH): AMEN... O LORD, OPEN THOU OUR LIPS”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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