ISRC

USNO11400417

SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH

Song: YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH

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USNO11400417 is the International Standard Recording Code (ISRC) for the recording “SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CRAIG LUCAS, NICO MUHLY.

Format

USCountry
NO1Registrant
14Year (2014)
00417Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH

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People also ask

What is the ISRC for "SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH"?
The ISRC for "SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH" is USNO11400417.
Who wrote "SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH"?
"SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH" was written by CRAIG LUCAS, NICO MUHLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USNO11400417?

USNO11400417 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SCENE 10 (ANNE'S FLAT): YOU SHOULD SEE THIS BOY THEY'VE STUCK ME WITH. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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