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LOOK AT WHAT I M DOING TO YOU album cover

ISRC

USQX92102128

LOOK AT WHAT I M DOING TO YOU

Song: LOOK AT WHAT I’M DOING TO YOU

IDMAN
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Last verified:

USQX92102128 is the International Standard Recording Code (ISRC) for the recording "LOOK AT WHAT I M DOING TO YOU" by IDMAN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ALIANDRO DARTON PRAWL, RITCHIE ACHEAMPONG, KHRISTOPHER VAN RIDDICK-TYNES, and others.

Format

USCountry
QX9Registrant
21Year (2021)
02128Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLOOK AT WHAT I M DOING TO YOU
IPIALIANDRO DARTON PRAWL

People also ask

What is the ISRC for "LOOK AT WHAT I M DOING TO YOU" by IDMAN?
The ISRC for "LOOK AT WHAT I M DOING TO YOU" by IDMAN is USQX92102128.
Who wrote "LOOK AT WHAT I M DOING TO YOU"?
"LOOK AT WHAT I M DOING TO YOU" was written by ALIANDRO DARTON PRAWL, RITCHIE ACHEAMPONG, KHRISTOPHER VAN RIDDICK-TYNES, AASHISH KHAN, TAVON D THOMPSON, FIROZA KHAN, JESSY AARON, IDMAN ABDULKADIR, ALEX GOLDBLATT, SETH SULLIVAN, PRANESH KHAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQX92102128?

USQX92102128 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LOOK AT WHAT I M DOING TO YOU" by IDMAN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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