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Bacc Like I Never Left album cover

ISRC

USQX92301631

Bacc Like I Never Left2

Song: BACC LIKE I NEVER LEFT

03 Greedo
unmatchedNot yet matched in the MLC database
Released 2023-03-24

Last verified:

USQX92301631 is the International Standard Recording Code (ISRC) for the recording “Bacc Like I Never Left” by 03 Greedo, released 2023-03-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JASON JAMAL JACKSON.

Format

USCountry
QX9Registrant
23Year (2023)
01631Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JASON JAMAL JACKSONComposerLyricist
REGALIAS DIGITALES OriginalPublisherIPI: 00405382871

Who publishes this song?

REGALIAS DIGITALESOriginalPublisher
IPI: 00405382871

MLC Song Code

BE5Q2Z
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Bacc Like I Never Left" by 03 Greedo?
The ISRC for "Bacc Like I Never Left" by 03 Greedo is USQX92301631.
Who wrote "Bacc Like I Never Left"?
"Bacc Like I Never Left" was written by JASON JAMAL JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQX92301631?

USQX92301631 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Bacc Like I Never Left” by 03 Greedo. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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