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THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD] album cover

ISRC

USQX92500109

THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]

Song: THOUGHT I WAS DEAD

TYLERTHE CREATOR
matched

Last verified:

USQX92500109 is the International Standard Recording Code (ISRC) for the recording "THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]" by TYLER, THE CREATOR. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TYLER GREGORY OKONMA.

Format

USCountry
QX9Registrant
25Year (2025)
00109Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]
IPITYLER GREGORY OKONMA

People also ask

What is the ISRC for "THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]" by TYLER?
The ISRC for "THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]" by TYLER, THE CREATOR is USQX92500109.
Who wrote "THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]"?
"THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]" was written by TYLER GREGORY OKONMA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQX92500109?

USQX92500109 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THOUGHT I WAS DEAD [FEAT. SCHOOLBOY Q, SANTIGOLD]" by TYLER, THE CREATOR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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