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ISRC

USQY51015091

FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]

Song: FOLLOW ME DOWN

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USQY51015091 is the International Standard Recording Code (ISRC) for the recording "FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SEAN FOREMAN, NATHANIEL MOTTE, NEON HITCH.

Format

USCountry
QY5Registrant
10Year (2010)
15091Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]
IPISEAN FOREMAN

Related

Songwriter profiles

SEAN FOREMANIPINATHANIEL MOTTEIPINEON HITCHIPI

People also ask

What is the ISRC for "FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]"?
The ISRC for "FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]" is USQY51015091.
Who wrote "FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]"?
"FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]" was written by SEAN FOREMAN, NATHANIEL MOTTE, NEON HITCH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51015091?

USQY51015091 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FOLLOW ME DOWN (IN THE STYLE OF 3OH!3) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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