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ISRC

USQY51024433

AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')

Song: AIN'T TOO PROUD TO BEG

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USQY51024433 is the International Standard Recording Code (ISRC) for the recording "AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NORMAN JESSE WHITFIELD, EDWARD JR. HOLLAND.

Format

USCountry
QY5Registrant
10Year (2010)
24433Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')
IPINORMAN JESSE WHITFIELD

Related

Songwriter profiles

NORMAN JESSE WHITFIELDIPIEDWARD JR. HOLLANDIPI

People also ask

What is the ISRC for "AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')"?
The ISRC for "AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')" is USQY51024433.
Who wrote "AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')"?
"AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')" was written by NORMAN JESSE WHITFIELD, EDWARD JR. HOLLAND.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51024433?

USQY51024433 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "AIN'T TOO PROUD TO BEG (IN THE STYLE OF 'THE TEMPTATIONS')". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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