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ISRC

USQY51036216

GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]

Song: GET MY DRINK ON

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USQY51036216 is the International Standard Recording Code (ISRC) for the recording "GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEAN DILLON, SCOTT W EMERICK, TOBY KEITH.

Format

USCountry
QY5Registrant
10Year (2010)
36216Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]
IPIDEAN DILLON

Related

Songwriter profiles

DEAN DILLONIPISCOTT W EMERICKIPITOBY KEITHIPI

People also ask

What is the ISRC for "GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]"?
The ISRC for "GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]" is USQY51036216.
Who wrote "GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]"?
"GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]" was written by DEAN DILLON, SCOTT W EMERICK, TOBY KEITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51036216?

USQY51036216 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "GET MY DRINK ON (IN THE STYLE OF TOBY KEITH) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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