ISRC

USQY51040334

57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')

Song: 57 CHEVROLET

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USQY51040334 is the International Standard Recording Code (ISRC) for the recording "57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROGER BOWLING.

Format

USCountry
QY5Registrant
10Year (2010)
40334Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ROGER BOWLINGComposer
MISSED MEMORIES MUSIC OriginalPublisher0.00%IPI: 00481103780
FIGS. D MUSIC, INC. RightsAdministrator100.00%IPI: 00533878031

Who publishes this song?

MISSED MEMORIES MUSICOriginalPublisher
IPI: 00481103780
FIGS. D MUSIC, INC.RightsAdministrator
IPI: 00533878031
SourcesMLC

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People also ask

What is the ISRC for "57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')"?
The ISRC for "57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')" is USQY51040334.
Who wrote "57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')"?
"57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')" was written by ROGER BOWLING.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51040334?

USQY51040334 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "57 CHEVROLET (IN THE STYLE OF 'BILLIE JO SPEARS')". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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