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ISRC

USQY51057821

WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')

Song: WHERE DO BROKEN HEARTS GO

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USQY51057821 is the International Standard Recording Code (ISRC) for the recording “WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANK WILDHORN, GEORGE HENRY JACKSON.

Format

USCountry
QY5Registrant
10Year (2010)
57821Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')
IPIFRANK WILDHORN

Related

Songwriter profiles

FRANK WILDHORNIPIGEORGE HENRY JACKSONIPI

People also ask

What is the ISRC for "WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')"?
The ISRC for "WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')" is USQY51057821.
Who wrote "WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')"?
"WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')" was written by FRANK WILDHORN, GEORGE HENRY JACKSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51057821?

USQY51057821 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WHERE DO BROKEN HEARTS GO (IN THE STYLE OF 'WHITNEY HOUSTON')”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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