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ISRC

USQY51095188

LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]

Song: LOOK IN THE MIRROR

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USQY51095188 is the International Standard Recording Code (ISRC) for the recording "LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DWAYNE RICHARDSON, MARIO SENTELL GIDEN, DEMETRIUS STEWART, and others.

Format

USCountry
QY5Registrant
10Year (2010)
95188Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

MARIO SENTELL GIDENIPIDWAYNE RICHARDSONIPI

People also ask

What is the ISRC for "LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]"?
The ISRC for "LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]" is USQY51095188.
Who wrote "LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]"?
"LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]" was written by DWAYNE RICHARDSON, MARIO SENTELL GIDEN, DEMETRIUS STEWART, DWAYNE RICHARDSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51095188?

USQY51095188 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LOOK IN THE MIRROR (IN THE STYLE OF YO GOTTI) [KARAOKE VERSION]". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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