ISRC

USQY51106212

BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')

Song: BEAT OF MY DRUM

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USQY51106212 is the International Standard Recording Code (ISRC) for the recording "BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DIMITRI TIKOVOI, "THOMAS ""DIPLO"" WESLEY PENTZ", MAYA HAWIE, and others.

Format

USCountry
QY5Registrant
11Year (2011)
06212Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')

People also ask

What is the ISRC for "BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')"?
The ISRC for "BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')" is USQY51106212.
Who wrote "BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')"?
"BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')" was written by DIMITRI TIKOVOI, "THOMAS ""DIPLO"" WESLEY PENTZ", MAYA HAWIE, NICOLA MARIA ROBERTS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51106212?

USQY51106212 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BEAT OF MY DRUM (IN THE STYLE OF 'NICOLA ROBERTS')". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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