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ISRC

USQY51115475

BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX

Song: BEAUTIFUL BOY (DARLING BOY)

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USQY51115475 is the International Standard Recording Code (ISRC) for the recording "BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN LENNON.

Format

USCountry
QY5Registrant
11Year (2011)
15475Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX
IPIJOHN LENNON

Related

Songwriter profiles

JOHN LENNONIPI

People also ask

What is the ISRC for "BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX"?
The ISRC for "BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX" is USQY51115475.
Who wrote "BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX"?
"BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX" was written by JOHN LENNON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51115475?

USQY51115475 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BEAUTIFUL BOY (DARLING BOY) (TRIBUTE TO JOHN LENNON) - KARAOKE MIX". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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