THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE) album cover

ISRC

USQY51122784

THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)

Song: THE SUN HAS GOT HIS HAT ON

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USQY51122784 is the International Standard Recording Code (ISRC) for the recording "THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RALPH T BUTLER, NOEL GAY.

Format

USCountry
QY5Registrant
11Year (2011)
22784Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)

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What is the ISRC for "THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)"?
The ISRC for "THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)" is USQY51122784.
Who wrote "THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)"?
"THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)" was written by RALPH T BUTLER, NOEL GAY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51122784?

USQY51122784 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE SUN HAS GOT HIS HAT ON [KARAOKE VERSION] (PIANO SINGALONG STYLE)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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