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ISRC

USQY51150684

WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX

Song: WHERE IS THE LOVE

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USQY51150684 is the International Standard Recording Code (ISRC) for the recording “WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RALPH MACDONALD, WILLILAM SALTER.

Format

USCountry
QY5Registrant
11Year (2011)
50684Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX
IPIRALPH MACDONALD

Related

Songwriter profiles

RALPH MACDONALDIPI

People also ask

What is the ISRC for "WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX"?
The ISRC for "WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX" is USQY51150684.
Who wrote "WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX"?
"WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX" was written by RALPH MACDONALD, WILLILAM SALTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51150684?

USQY51150684 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WHERE IS THE LOVE (ROBERTA FLACK KARAOKE TRIBUTE) - KARAOKE MIX”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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