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ISRC

USQY51152754

LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED

Song: LIVE IT UP

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USQY51152754 is the International Standard Recording Code (ISRC) for the recording “LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JERMAINE DUPRI, REGINALD J HARGIS, JERMAINE DUPRI MAULDIN, and others.

Format

USCountry
QY5Registrant
11Year (2011)
52754Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED
IPIJERMAINE DUPRI

Related

Songwriter profiles

JERMAINE DUPRIIPIREGINALD J HARGISIPIJERMAINE DUPRI MAULDINIPI

People also ask

What is the ISRC for "LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED"?
The ISRC for "LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED" is USQY51152754.
Who wrote "LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED"?
"LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED" was written by JERMAINE DUPRI, REGINALD J HARGIS, JERMAINE DUPRI MAULDIN, REGINALD HARGIS, SHAWNTAE HARRIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51152754?

USQY51152754 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “LIVE IT UP (FEAT. DA BRAT) SCREWED AND CHOPPED”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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