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ISRC

USQY51200026

THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX

Song: THE LAST TIME

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USQY51200026 is the International Standard Recording Code (ISRC) for the recording “THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SCOTT MICHAEL CUTLER, INCONNU COMPOSITEUR AUTEUR, ANNE PREVEN.

Format

USCountry
QY5Registrant
12Year (2012)
00026Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX
IPISCOTT MICHAEL CUTLER

Related

Songwriter profiles

SCOTT MICHAEL CUTLERIPI INCONNU COMPOSITEUR AUTEURIPIANNE PREVENIPI

People also ask

What is the ISRC for "THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX"?
The ISRC for "THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX" is USQY51200026.
Who wrote "THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX"?
"THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX" was written by SCOTT MICHAEL CUTLER, INCONNU COMPOSITEUR AUTEUR, ANNE PREVEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51200026?

USQY51200026 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THE LAST TIME - THE ROLLING STONES KLONE TRIBUTE MIX”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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