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ISRC

USQY51299409

HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]

Song: HARRIETT JONES

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USQY51299409 is the International Standard Recording Code (ISRC) for the recording “HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GEORGE T. NASH JR., ERIC BENET JORDAN.

Format

USCountry
QY5Registrant
12Year (2012)
99409Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCHARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]
IPIGEORGE T. NASH JR.

Related

Songwriter profiles

GEORGE T. NASH JR.IPIERIC BENET JORDANIPI

People also ask

What is the ISRC for "HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]"?
The ISRC for "HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]" is USQY51299409.
Who wrote "HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]"?
"HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]" was written by GEORGE T. NASH JR., ERIC BENET JORDAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51299409?

USQY51299409 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “HARRIETT JONES (IN THE STYLE OF ERIC BENÉT) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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