ISRC

USQY51301894

THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]

Song: THIS IS GONNA HURT

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USQY51301894 is the International Standard Recording Code (ISRC) for the recording “THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DOUGLAS ROBB, DANIEL B. ESTRIN, CHRIS LIGHT HESSE.

Format

USCountry
QY5Registrant
13Year (2013)
01894Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]

People also ask

What is the ISRC for "THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]"?
The ISRC for "THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]" is USQY51301894.
Who wrote "THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]"?
"THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]" was written by DOUGLAS ROBB, DANIEL B. ESTRIN, CHRIS LIGHT HESSE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51301894?

USQY51301894 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “THIS IS GONNA HURT (IN THE STYLE OF HOOBASTANK) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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