ISRC

USQY51304811

TROPICAL PARADISE - ORIGINAL MIX

Song: PARADISE

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Last verified:

USQY51304811 is the International Standard Recording Code (ISRC) for the recording “TROPICAL PARADISE - ORIGINAL MIX. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NTOKOZO MDLULI, CHIANO SKY KRUGER.

Format

USCountry
QY5Registrant
13Year (2013)
04811Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

NTOKOZO MDLULIComposerLyricist
CHIANO SKY KRUGERComposerLyricist
EMI MUSIC PUB (SOUTH AFRICA) P OriginalPublisherIPI: 00054805088
EMI BLACKWOOD MUSIC INC OriginalPublisherIPI: 00223437493

Who publishes this song?

EMI MUSIC PUB (SOUTH AFRICA) POriginalPublisher
IPI: 00054805088
EMI BLACKWOOD MUSIC INCOriginalPublisher
IPI: 00223437493
SourcesMLC

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People also ask

What is the ISRC for "TROPICAL PARADISE - ORIGINAL MIX"?
The ISRC for "TROPICAL PARADISE - ORIGINAL MIX" is USQY51304811.
Who wrote "TROPICAL PARADISE - ORIGINAL MIX"?
"TROPICAL PARADISE - ORIGINAL MIX" was written by NTOKOZO MDLULI, CHIANO SKY KRUGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51304811?

USQY51304811 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “TROPICAL PARADISE - ORIGINAL MIX. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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