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ISRC

USQY51306763

YOU ARE IN MY HEART AND IN MY EYES

Song: "YOU ARE ALWAYS (SAMPLES ""ALWAYS IN MY HEART"")"

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USQY51306763 is the International Standard Recording Code (ISRC) for the recording “YOU ARE IN MY HEART AND IN MY EYES”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NICHOLAS BRACEGIRDLE, RAYMOND GEORGE HEDGES, ERNESTO LECUONA CASADO, and others.

Format

USCountry
QY5Registrant
13Year (2013)
06763Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCYOU ARE IN MY HEART AND IN MY EYES
IPINICHOLAS BRACEGIRDLE

Related

Songwriter profiles

NICHOLAS BRACEGIRDLEIPIRAYMOND GEORGE HEDGESIPIERNESTO LECUONA CASADOIPIKIM GANNONIPINIGEL ROGER BUTLERIPI

People also ask

What is the ISRC for "YOU ARE IN MY HEART AND IN MY EYES"?
The ISRC for "YOU ARE IN MY HEART AND IN MY EYES" is USQY51306763.
Who wrote "YOU ARE IN MY HEART AND IN MY EYES"?
"YOU ARE IN MY HEART AND IN MY EYES" was written by NICHOLAS BRACEGIRDLE, RAYMOND GEORGE HEDGES, ERNESTO LECUONA CASADO, KIM GANNON, NIGEL ROGER BUTLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51306763?

USQY51306763 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “YOU ARE IN MY HEART AND IN MY EYES”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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