NO GOOD NEWS album cover

ISRC

USQY51362696

NO GOOD NEWS2

unmatchedNot yet matched in the MLC database

Last verified:

USQY51362696 is the International Standard Recording Code (ISRC) for the recording “NO GOOD NEWS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
QY5Registrant
13Year (2013)
62696Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Musical work link not available yet

This ISRC still identifies a valid recording; the available sources have not yet connected it to an ISWC for the underlying composition. Available release, performer, producer, and songwriter links remain visible below.

Who wrote this song?

BOWEN EDGARComposerLyricist
BOWEN BROTHERS PUBLISHING OriginalPublisherIPI: 00596487973
FREDERICK LEE COLEComposerLyricist
BOWEN BROTHERS PUBLISHING OriginalPublisherIPI: 00596487973

Who publishes this song?

BOWEN BROTHERS PUBLISHINGOriginalPublisher
IPI: 00596487973

MLC Song Code

SourcesMLCMLC2 sources

Verified on

People also ask

What is the ISRC for "NO GOOD NEWS"?
The ISRC for "NO GOOD NEWS" is USQY51362696.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USQY51362696?

USQY51362696 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “NO GOOD NEWS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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