PASS IT ON (DJ KEOKI VS. JASON NEVINS) album cover

ISRC

USR3R0400129

PASS IT ON (DJ KEOKI VS. JASON NEVINS)

Song: PASS IT ON

JASON NEVINSDJ KEOKI
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Last verified:

USR3R0400129 is the International Standard Recording Code (ISRC) for the recording “PASS IT ON (DJ KEOKI VS. JASON NEVINS) by JASON NEVINS, DJ KEOKI. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES SKELLY.

Format

USCountry
R3RRegistrant
04Year (2004)
00129Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JAMES SKELLYComposer
DELABEL EDITIONS SARL OriginalPublisherIPI: 00148620668

Who publishes this song?

DELABEL EDITIONS SARLOriginalPublisher
IPI: 00148620668
SourcesMLC

Verified on

People also ask

What is the ISRC for "PASS IT ON (DJ KEOKI VS. JASON NEVINS)" by JASON NEVINS?
The ISRC for "PASS IT ON (DJ KEOKI VS. JASON NEVINS)" by JASON NEVINS, DJ KEOKI is USR3R0400129.
Who wrote "PASS IT ON (DJ KEOKI VS. JASON NEVINS)"?
"PASS IT ON (DJ KEOKI VS. JASON NEVINS)" was written by JAMES SKELLY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USR3R0400129?

USR3R0400129 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “PASS IT ON (DJ KEOKI VS. JASON NEVINS) by JASON NEVINS, DJ KEOKI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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