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ISRC

USRC10101328

Seems I’m Never Tired of Lovin’ You

Song: SEEMS I'M NEVER TIRED LOVING YOU

Nina Simone
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Last verified:

USRC10101328 is the International Standard Recording Code (ISRC) for the recording "Seems I’m Never Tired of Lovin’ You" by Nina Simone. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by FRANKLIN.

Format

USCountry
RC1Registrant
01Year (2001)
01328Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

FRANKLINComposer
EMI GROVE PARK MUSIC OriginalPublisher0.00%
FILMTRAX COPYRIGHT HLDGS INC. RightsAdministrator100.00%IPI: 00160587760

Who publishes this song?

EMI GROVE PARK MUSICOriginalPublisher
FILMTRAX COPYRIGHT HLDGS INC.RightsAdministrator
IPI: 00160587760
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Seems I’m Never Tired of Lovin’ You" by Nina Simone?
The ISRC for "Seems I’m Never Tired of Lovin’ You" by Nina Simone is USRC10101328.
Who wrote "Seems I’m Never Tired of Lovin’ You"?
"Seems I’m Never Tired of Lovin’ You" was written by FRANKLIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRC10101328?

USRC10101328 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Seems I’m Never Tired of Lovin’ You" by Nina Simone. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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