Just as Though You Were Here album cover

ISRC

USRC14200525

Just as Though You Were Here

Song: JUST AS THOUGH YOU WERE HERE

Frank SinatraTommy Dorsey and His OrchestraThe Pied Pipers
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USRC14200525 is the International Standard Recording Code (ISRC) for the recording "Just as Though You Were Here" by Frank Sinatra, Tommy Dorsey and His Orchestra, The Pied Pipers. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN BENSON BROOKS, EDDIE DE LANGE.

Format

USCountry
RC1Registrant
42Year (2042)
00525Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2042):
Last two digits of the reference year (2042). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCJust as Though You Were Here

People also ask

What is the ISRC for "Just as Though You Were Here" by Frank Sinatra?
The ISRC for "Just as Though You Were Here" by Frank Sinatra, Tommy Dorsey and His Orchestra, The Pied Pipers is USRC14200525.
Who wrote "Just as Though You Were Here"?
"Just as Though You Were Here" was written by JOHN BENSON BROOKS, EDDIE DE LANGE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRC14200525?

USRC14200525 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Just as Though You Were Here" by Frank Sinatra, Tommy Dorsey and His Orchestra, The Pied Pipers. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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