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ISRC

USRDG0216123

Aida: Sklavinnenchor: „Chi mai fra gl’inni e i plausi“

Song: Aida: Atto II, scena 1. Introduzione, scena e coro di donne: “Chi mai fra gl’inni e i plausi” (Schiave, Amneris)

Valeria StenkinaSt. Petersburg Symphony OrchestraSergei Kalaguin

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USRDG0216123 is the International Standard Recording Code (ISRC) for the recording "Aida: Sklavinnenchor: „Chi mai fra gl’inni e i plausi“" by Valeria Stenkina, St. Petersburg Symphony Orchestra, Sergei Kalaguin. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
RDGRegistrant
02Year (2002)
16123Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Aida: Sklavinnenchor: „Chi mai fra gl’inni e i plausi“" by Valeria Stenkina?
The ISRC for "Aida: Sklavinnenchor: „Chi mai fra gl’inni e i plausi“" by Valeria Stenkina, St. Petersburg Symphony Orchestra, Sergei Kalaguin is USRDG0216123.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRDG0216123?

USRDG0216123 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Aida: Sklavinnenchor: „Chi mai fra gl’inni e i plausi“" by Valeria Stenkina, St. Petersburg Symphony Orchestra, Sergei Kalaguin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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