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WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION) album cover

ISRC

USRH10800699

WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)

Song: WHEN I TAKE MY SUGAR TO TEA

FRANK SINATRA
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USRH10800699 is the International Standard Recording Code (ISRC) for the recording "WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)" by FRANK SINATRA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by IRVING KAHAL, PIERRE NORMAN CONNOR, SAMMY FAIN.

Format

USCountry
RH1Registrant
08Year (2008)
00699Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)" by FRANK SINATRA?
The ISRC for "WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)" by FRANK SINATRA is USRH10800699.
Who wrote "WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)"?
"WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)" was written by IRVING KAHAL, PIERRE NORMAN CONNOR, SAMMY FAIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRH10800699?

USRH10800699 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHEN I TAKE MY SUGAR TO TEA (THE FRANK SINATRA COLLECTION)" by FRANK SINATRA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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