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MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986 album cover

ISRC

USRH10902126

MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986

Song: MONOLOGUE

FRANK SINATRABILL MILLER
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USRH10902126 is the International Standard Recording Code (ISRC) for the recording "MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986" by FRANK SINATRA, BILL MILLER. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADAM BRAVIN, JUSTIN WARFIELD.

Format

USCountry
RH1Registrant
09Year (2009)
02126Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986
IPIADAM BRAVIN

People also ask

What is the ISRC for "MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986" by FRANK SINATRA?
The ISRC for "MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986" by FRANK SINATRA, BILL MILLER is USRH10902126.
Who wrote "MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986"?
"MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986" was written by ADAM BRAVIN, JUSTIN WARFIELD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRH10902126?

USRH10902126 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MONOLOGUE - LIVE AT THE MEADOWLANDS ARENA/1986" by FRANK SINATRA, BILL MILLER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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