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ISRC

USRH12503221

Doesn’t Anybody Stay Together Anymore (2025 mix)

Song: DOESN'T ANYBODY STAY TOGETHER ANYMORE

Phil Collins

Last verified:

USRH12503221 is the International Standard Recording Code (ISRC) for the recording "Doesn’t Anybody Stay Together Anymore (2025 mix)" by Phil Collins. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by PHILLIP DAVID CHARLES COLLINS, DARYL STUERMER.

Format

USCountry
RH1Registrant
25Year (2025)
03221Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDoesn’t Anybody Stay Together Anymore (2025 mix)
IPIPHILLIP DAVID CHARLES COLLINS

People also ask

What is the ISRC for "Doesn’t Anybody Stay Together Anymore (2025 mix)" by Phil Collins?
The ISRC for "Doesn’t Anybody Stay Together Anymore (2025 mix)" by Phil Collins is USRH12503221.
Who wrote "Doesn’t Anybody Stay Together Anymore (2025 mix)"?
"Doesn’t Anybody Stay Together Anymore (2025 mix)" was written by PHILLIP DAVID CHARLES COLLINS, DARYL STUERMER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRH12503221?

USRH12503221 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Doesn’t Anybody Stay Together Anymore (2025 mix)" by Phil Collins. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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