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I Fancy You album cover

ISRC

USRO29010105

I Fancy You2

Song: I FANCY YOU

Bobby KingTerry Evans
matched
Released 1990-01-01

Last verified:

USRO29010105 is the International Standard Recording Code (ISRC) for the recording “I Fancy You” by Bobby King, Terry Evans, released 1990-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TERRY EVANS.

Format

USCountry
RO2Registrant
90Year (1990)
10105Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

TERRY EVANSComposer
EVEN FLOW MUSIC OriginalPublisherIPI: 00055468167
BMG BUMBLEBEE RightsAdministratorIPI: 00722300987

Who publishes this song?

EVEN FLOW MUSICOriginalPublisher
IPI: 00055468167
BMG BUMBLEBEERightsAdministrator
IPI: 00722300987

MLC Song Code

I12331
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I Fancy You" by Bobby King?
The ISRC for "I Fancy You" by Bobby King, Terry Evans is USRO29010105.
Who wrote "I Fancy You"?
"I Fancy You" was written by TERRY EVANS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USRO29010105?

USRO29010105 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Fancy You” by Bobby King, Terry Evans. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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