ISRC

USS1N1235904

DANCE (FEAT. CISCO ADLER)

Song: CA CRACK COCAINE (FEAT. CISCO ADLER)

CISCO ADLERCISCO ADLER & MICKEY AVALONCISCO ADLER MICKEY AVALONMICKEY AVALON
matched

Last verified:

USS1N1235904 is the International Standard Recording Code (ISRC) for the recording "DANCE (FEAT. CISCO ADLER)" by CISCO ADLER, CISCO ADLER & MICKEY AVALON, CISCO ADLER MICKEY AVALON, MICKEY AVALON. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ADLER CISCO, YESHE PEARL.

Format

USCountry
S1NRegistrant
12Year (2012)
35904Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDANCE (FEAT. CISCO ADLER)

People also ask

What is the ISRC for "DANCE (FEAT. CISCO ADLER)" by CISCO ADLER?
The ISRC for "DANCE (FEAT. CISCO ADLER)" by CISCO ADLER, CISCO ADLER & MICKEY AVALON, CISCO ADLER MICKEY AVALON, MICKEY AVALON is USS1N1235904.
Who wrote "DANCE (FEAT. CISCO ADLER)"?
"DANCE (FEAT. CISCO ADLER)" was written by ADLER CISCO, YESHE PEARL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USS1N1235904?

USS1N1235904 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DANCE (FEAT. CISCO ADLER)" by CISCO ADLER, CISCO ADLER & MICKEY AVALON, CISCO ADLER MICKEY AVALON, MICKEY AVALON. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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