Come to My Window album cover

ISRC

USSE62400062

Come to My Window2

Song: COME TO MY WINDOW

Melissa Etheridge
unmatchedNot yet matched in the MLC database
Released 2024-07-09

Last verified:

USSE62400062 is the International Standard Recording Code (ISRC) for the recording “Come to My Window by Melissa Etheridge, released 2024-07-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SE6Registrant
24Year (2024)
00062Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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MLC Song Code

SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Come to My Window" by Melissa Etheridge?
The ISRC for "Come to My Window" by Melissa Etheridge is USSE62400062.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSE62400062?

USSE62400062 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Come to My Window by Melissa Etheridge. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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