ISRC

USSM10014860

Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung

Song: Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": II. Recitativo (Bass) "O glückliche Veränderung!"

Peter KooijConcerto KölnFrieder Bernius

Last verified:

USSM10014860 is the International Standard Recording Code (ISRC) for the recording "Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung" by Peter Kooij, Concerto Köln, Frieder Bernius. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
00Year (2000)
14860Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung" by Peter Kooij?
The ISRC for "Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung" by Peter Kooij, Concerto Köln, Frieder Bernius is USSM10014860.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10014860?

USSM10014860 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantate 'Schleicht, spielende Wellen' BWV 206 - Recitative: O glückliche Veränderung" by Peter Kooij, Concerto Köln, Frieder Bernius. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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