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Messiah: 33. Lift up your heads album cover

ISRC

USSM10205227

Messiah: 33. Lift up your heads

Song: PUBLIC DOMAIN TRACK

Richard P. CondieThe Tabernacle Choir at Temple SquareThe Philadelphia OrchestraEugene Ormandy
unmatchedNot yet matched in the MLC database
Released 1959-01-01

Last verified:

USSM10205227 is the International Standard Recording Code (ISRC) for the recording “Messiah: 33. Lift up your heads” by Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy, released 1959-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
02Year (2002)
05227Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2002):
Last two digits of the reference year (2002). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Messiah: 33. Lift up your heads" by Richard P. Condie?
The ISRC for "Messiah: 33. Lift up your heads" by Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy is USSM10205227.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10205227?

USSM10205227 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Messiah: 33. Lift up your heads” by Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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