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Giselle: 1. Act: No. 13. Hilarion rushes into the crowd album cover

ISRC

USSM10410199

Giselle: 1. Act: No. 13. Hilarion rushes into the crowd2

Song: GISELLE (ORCH.SERLE)

London Symphony OrchestraMichael Tilson Thomas
unmatchedNot yet matched in the MLC database
Released 1991-12-10

Last verified:

USSM10410199 is the International Standard Recording Code (ISRC) for the recording “Giselle: 1. Act: No. 13. Hilarion rushes into the crowd” by London Symphony Orchestra, Michael Tilson Thomas, released 1991-12-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
04Year (2004)
10199Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Giselle: 1. Act: No. 13. Hilarion rushes into the crowd" by London Symphony Orchestra?
The ISRC for "Giselle: 1. Act: No. 13. Hilarion rushes into the crowd" by London Symphony Orchestra, Michael Tilson Thomas is USSM10410199.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10410199?

USSM10410199 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Giselle: 1. Act: No. 13. Hilarion rushes into the crowd” by London Symphony Orchestra, Michael Tilson Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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