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ISRC

USSM10502997

Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta. Andante

Song: Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante

Joshua BellBerliner PhilharmonikerMichael Tilson Thomas

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USSM10502997 is the International Standard Recording Code (ISRC) for the recording "Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta. Andante" by Joshua Bell, Berliner Philharmoniker, Michael Tilson Thomas. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
05Year (2005)
02997Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta. Andante" by Joshua Bell?
The ISRC for "Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta. Andante" by Joshua Bell, Berliner Philharmoniker, Michael Tilson Thomas is USSM10502997.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10502997?

USSM10502997 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta. Andante" by Joshua Bell, Berliner Philharmoniker, Michael Tilson Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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