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Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon album cover

ISRC

USSM10805743

Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon

The Clancy Brothers and Tommy Makem
Released 2009-03-03

Last verified:

USSM10805743 is the International Standard Recording Code (ISRC) for the recording "Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon" by The Clancy Brothers and Tommy Makem, released 2009-03-03. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
08Year (2008)
05743Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon" by The Clancy Brothers and Tommy Makem?
The ISRC for "Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon" by The Clancy Brothers and Tommy Makem is USSM10805743.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10805743?

USSM10805743 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Medley: O'Driscoll (The Host of the Air), King of the Faries, Eileen Aroon" by The Clancy Brothers and Tommy Makem. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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